The plug-ins appear at the top of the window in the order in which you added them. Select each plug-in you want to add and click the Add button, or browse to an FX package. When no effects exist on a track, clicking the Track FX button displays the Plug-In Chooser.Ĭlick the Plug-In Chain button to display the Plug-In Chooser. The Track FX button is displayed in gray when a track does not have effects assigned. But, what do I know, I'm just an audio guy that dabbles in video.Click the Track FX button on the track where you want to add effects. Fixing it meant doing some video processing that those that care more about video than audio would probably frown at.but it's a concert video, what use is it if the audio is screwed up? But, when the difference in the audio is 3 cents, and it's questionable which pitch is correct, I think it's generally better to pitch the audio to the video, than to mess with the timing of the video which would mean adjusting frames and all that stuff. Had to make my own version of it to fix it. Due to framerate differences between the UK and USA, the USA releases, including the official DVD, are pitched about a halfstep higher.which is god awful. The official DVD of Pink Floyd Live At Pompeii. Ok, to contribute further to this thread since everyone seems to be liking to turn this technical question that has been resolved hours ago into a discussion of pitch and time expansions/compression.I have an example of awful pitch shifting. I just consider a pitch shift to be like making a minor adjustment on a tape machine in playback for the purpose in keeping that playback in sync with the video it needs to sync up to, which the video was mimed to the original recording, which basically means the source I have is played back ever so slightly differently from the playback they mimed to.while time compression is definitely messing in the audio in a way that it wouldn't have ever been messed with back then. Of course, when syncing a different audio source to a video, we're talking about minor adjustments that are barely audible, if audible at all. The original issues have the recording as everyone had heard it all these years, the latest remaster had it at the speed that is the original performance.which one is right? That was subjective, there were people that were annoyed that it sounded different from what they were used to. I think there was a big ordeal over the playback speed of The Doors - Light My Fire, where it was found that the tape had been played back fast all this time, and then they corrected it on the latest reissues. How can I set it so that dragging the edge in this way results in the audio being pitch shifted instead of time compressed?īut when you have 2 sources that are slightly different from one another, who's to say which one is pitched right? Things that were originally recorded in the analog domain result in minor differences in tape speed playback, turntable playback, and such. I've looked around, and found I can adjust pitch in the properties, by entering in numbers, which won't allow me to just drag it to where I want it. Which seems rather stupid to me, since really I just want to virtually adjust the speed of the tape playback, not digitally manipulate the original performance. Problem is, this results in a time compression adjustment rather than a pitch shifting adjustment. So, Vegas has this handy option of holding down ctrl and dragging the edge to adjust the length of the audio. Due to an ever slight difference in speed in tape playback, of course the 2 sources don't line up perfectly, and by the end of the song is noticeably off. So, I drag my recorded file off of the VHS into Sony Vegas Pro 10, and drag in a wav ripped from my CD.
So, my CD naturally has better fidelity of the exact same recording than the VHS. The music video is of the band miming the recorded version.
Ok, so I recorded in a music video from VHS.
0 kommentar(er)
